Here's a picture collage of the books I read and reviewed for the month of June and July 2010.
Get The Best Caulking Gun For Your Project
4 years ago
... finally!
The Death and Life of Charlie St. Cloud tells the haunting story of a young man who narrowly survives a terrible car wreck that kills his little brother. Years later, the brothers' bond remains so strong that it transcends the normal boundaries separating life and death.My quote-ables:
Charlie St. Cloud lives in a snug New England fishing village. By day he tends the lawns and monuments of the ancient cemetery where his younger brother, Sam is buried. Graced with an extraordinary gift after surviving the accident, he can still see, talk, and even play catch with Sam's spirit. But townsfolk whisper that Charlie has never recovered from his loss.
Into his carefully ordered life come Tess Carroll, a captivating, adventuresome woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that blows her back and to a surprise more overwhelming than the violent sea itself.
Charlie and Tess discover a beautiful and uncommon connection that leads to a race against time between the past and the future, between holding on and letting go.
"Three things in this world are worth having: courage, good sense, and caution... Little rabbit, you have lots of courage, a bit of sense but no caution. So next time you see Big Fish, or Wild Cow, or Leopard ... better run fast!"Awesome children's book. Find it at your local library and read it to your child/children, if you haven't done so already.
"As it turned out, the only way to make their parents get off their backs about trying to 'find someone' was actually finding someone--with whom to put on a marriage for show. Mutsuki is strictly gay and has a boyfriend, while Shako is a clinical case of emotional instability who's in no shape for a relationship. They've each found in the other a perfect partner for a sham marriage. Since the conspirators' parents know of their own child's undesirability, but not the spouse's, the union manages to please them. And while the newlyweds hope, in their own way, to live happily ever after, they inevitably come face to face with the fact that no marriage, real or staged, is a fairy tale."
"His conclusion? The mid-life crisis, like that of adolescence, is a cultural invention. It becomes more evident and real as people increasingly believe in its existence. Yet there may be change ahead. For centuries, Brandes notes, forty was considered the beginning of old age. Recently it has come to signify the middle years. Soon people may regard forty as an advanced stage of youth."This book is 25 years old, so the above statement of recently is now also 25 years old so do you think we're at the point as to regard forty as an advanced stage of youth? Perhaps so as many are saying now ... forty is the new thirty ... forty is the new twenty. Plus I might add the development of "cougars", older women going after much younger men.
"Ten years after Lita, her twin sisters, her husband Winston, and their two children, packed up and moved to Los Angeles, issues left behind in New Orleans come back to haunt her. Lita is already at loose ends, trying to hold house and home together. One younger sister rebels and both conspire to free themselves from her protective grip. Lita herself can't decide whether to stay in a marriage that is dangerously weak at the seams. Then, she receives an unwelcomed phone call from a trouble-making aunt, telling Lita that her father --with whom she has a strained relationship--is on his deathbed. The aunt also says that she has seen Lita's beloved mother--never mind that the woman has been dead for a decade. As Lita finds herself overwhelmed by a flood of long-suppressed memories, she grudgingly realizes that she must return to New Orleans and take the opportunity to make amends and come to terms with her family and her past. As she makes the journey back, a growing sense of dread takes root in her soul. She has the sense that her life will change again and there will be no simple turning back to the life she led in Los Angeles."
It is the autumn of 1991, the beginning of war in the former Yugoslavia. As a mass exodus empties Belgrade of those trying to evade the conflict just beyond the border, a young couple await the birth of their first child. This is the story of their family and those close to it--people desperately trying to carry on with their modern lives in a world increasingly ruled by primitive passions. The expectant father--ironic and bemused, anxiously enervated but determined to keep peace at home--is scarcely a fair match for his fiery wife, Angela, particularly in her third trimester. Once an enterprising black-market capitalist, she has put business aside for motherhood, "to become what she had in fact always wanted to be--a housewife." But when her younger brother, a maddeningly enlightened though awkward Hare Krishna, unexpectedly answers the draft call--succumbing to the seductions of an even more incomprehensible dogma--the delicate fabric of their comforting routine begins to unravel. Against the "Tehranesque panoramas...of the deceived capital, " everyday life soon takes the turbulent form of a soap opera--but one without the reassuring promise of conventional resolutions. Arsenijevic's novel is a brutal story, by turns nightmarish and comical. Like Milan Kundera's The Unbearable Lightness of Being, it give us a generation caught in circumstances not of their making, but refusing nevertheless to share the visions of their country's rulers. It is a haunting tale of family life in surreal disarray. A singular literary debut.